A homage to the divine feminine, artist * muse love affair. The continuation of Sunny Jetsun’s stream of consciousness ~ with the inclusion of a new aspect of Poet*Muse inspiration. Petrarch* Laura, Dante * Beatrice, Dali * Gala, Picasso* Dora Maar and especially the Troubadour’s expansion of sublime sensuality. This relationship embodies spiritual and ideal romantic love. The mantra throughout this book is “The greatest pleasure is to give pleasure.” This mutual experience of Tantric, ecstatic consciousness is its supreme essence and is the vehicle for transcendence. “This book will make you wet.” It is better read with Intuitive feeling. It is the “New Kama Sutra” with equality for the feminine to express her deepest heart’s desires, not solely as the object of “her Lord’s power” and passion but in her own right. The final aspect is the one of consensual respect and trust coming from the allowance of being fully open to each other. History also shows the extreme disregard and abuse that women suffer being condoned within feudal, closed, patriarchal societies. These poems bring a new light to Love.

Deep-Dive Analysis of Sunny Jetsun’s Queen of Space ~ King of Flower Power ~ Dripping Rainbows

1. Philosophical Genesis & Countercultural Context

Sunny Jetsun’s Queen of Space ~ King of Flower Power ~ Dripping Rainbows stands as a definitive, late-modern artifact of countercultural poetics, located at the confluence of post-Beat literary radicalism, South Asian non-dual philosophy, and 21st-century avant-garde esotericism. To rigorously comprehend its philosophical trajectory, one must evaluate the work within its precise historical, geographic, and socio-spatial matrices. Originating in the transformative, trans-continental travel ethos of the 1970s overland “Hippie Trail” and crystalizing during the 2012/2013 winter season in Anjuna, Goa, the text positions Jetsun as an unmistakable heir to post-beat prosody and psychedelic mysticism. Rather than producing abstract literary exercises, Jetsun operates as a cultural chronicler who transcribes real-time “Surreal notes” from communal living and high-vibrational discourse—capturing a living continuum where geographic mobility and sensory expansion serve as direct catalysts for epistemological liberation.

Deconstructing Geographic Lineage

Jetsun’s biographical movement maps a rigorous countercultural pilgrimage across global epicenters of artistic revolt and sacred geography. As documented in his biographical notes, his physical trajectory spans an international network of Western avant-garde hubs and Eastern spiritual sanctuaries:

• Western Nodes: San Francisco, Los Angeles, London, Amsterdam, Paris, Vancouver, and Sidney.
• Eastern Nodes: Kathmandu, Varanasi, and Goa.

[Western Avant-Garde Hubs] ──(1970s Hippie Trail)──> [Sacred South Asian Nodes] ──> [Anjuna Seasonal Matrix]
(San Francisco, LA, London,                          (Kathmandu, Varanasi)            (Goa 2012/2013 Notes)
 Amsterdam, Paris, Vancouver, Sidney)

Rooted in his early journeys along the 1970s overland route to South Asia, Jetsun operationalizes Timothy Leary’s foundational countercultural imperative—“Turn on, tune in, drop out”—not as an escape from reality, but as a systematic methodology for dismantling social conditioning. By synthesizing Western artistic experimentation (from French Surrealism to Beat spontaneous prosody) with Eastern non-dual traditions, Jetsun constructs a multidimensional worldview. In this framework, physical pilgrimage and sensory opening are essential preconditions for stripping away the illusory ego (Maya) and achieving self-realization.

Analyzing the Anjuna Matrix

The primary catalytic site for Queen of Space is the coastal enclave of Anjuna, Goa, during the 2012/2013 winter season. The text explicitly anchors its textual production to this spatial node, defining its contents as an arrangement derived from “‘Surreal’ notes made from Inspired conversations with friends during the 2012/2013 winter season in Anjuna, Goa.” In this ecstatic sanctuary, interpersonal conversation merges seamlessly with devotional practice, psychedelic exploration, and collective artistic creation.

The spatial dynamics of Jetsun’s physical and spiritual movement correspond directly to specific artistic motifs and philosophical frameworks across the text:

Countercultural Foundations & Spatial Nodes

Evaluating Historical Recurrence

Jetsun bridges the radical idealism of the 1960s and 1970s with early 21st-century evolutionary paradigm shifts. Writing during an era marked by severe geopolitical friction, systemic financial collapse, and ecological distress, Jetsun explicitly invokes the December 21, 2012 galactic alignment (“2012 Instants to change our DNA; Climaxing of Consciousness”).

The text interprets contemporary socio-political crises—bank bailouts, perpetual military interventions, and institutionalized corporate fraud—not as isolated political events, but as the final, thrashing density of an expiring historical cycle. By juxtaposing 1970s anti-war resistance with 2012/2013 geopolitical realities, Jetsun portrays an ongoing historical dialectic between state-imposed “Frequencies of Control” and an emerging quantum evolution of human consciousness.

This countercultural foundation of free-flowing geographic and spiritual exploration naturally shifts into the sanctification of romantic and ecstatic partnership as a primary vehicle for liberation.

2. The Divine Feminine, Sacred Sexuality, & The “New Kama Sutra”

In Queen of Space, eroticism is radically re-envisioned as a portal to divine realization. Jetsun moves decisively beyond objectifying, pornographic frameworks that reduce intimacy to mechanical consumption or patriarchal dominance. Instead, the text formulates an egalitarian paradigm of sacred sexuality where physical pleasure is elevated to a holy instrument for ego-dissolution, energy transmutation, and spiritual ascension.

[Conventional Objectification / Patriarchy] ──(Rejection)──┐
                                                           ├─> [Sacred Marriage / Hieros Gamos]
[Consensual Empowerment & Mutual Pleasure] ──(Integration)─┘

Deconstructing the Artist-Muse Lineage

Jetsun explicitly situates his poetics within historic European creative partnerships, invoking romantic and avant-garde lineages:

• Petrarch & Laura
• Dante & Beatrice
• Dalí & Gala
• Picasso & Dora Maar

While acknowledging these predecessors, Jetsun incorporates and radically expands upon the Troubadour tradition of sublime sensuality (Amor). Rather than portraying the muse as a distant, passive ideal to be worshipped from afar—a tendency inherent in medieval courtly love—Jetsun’s poetic framework positions the female partner as an active, sovereign co-creator. She is simultaneously celebrated as a “Ninja warrior of desire & Peace,” a “Jedi priestess of Cosmic Communication,” a “Psychedelic fuck queen,” and a “cocreative Paramour.”* The muse acts as an empowered partner in a bi-directional transmission of ecstatic energy.

Analyzing the “New Kama Sutra” & Central Mantra

At the ethical center of the text’s erotic philosophy is a single overarching imperative:

“The greatest pleasure is to give pleasure.”

Through this central mantra, Jetsun formulates what he explicitly designates as the “New Kama Sutra.” Grounded in non-dual Kashmir Shaivism—where absolute reality is realized through the dynamic, indivisible union of Shiva (pure consciousness) and Shakti (creative cosmic energy)—this framework dismantles feudal patriarchal paradigms that reduce woman to “the object of her Lord’s power.” Instead, it establishes an erotic ethic rooted in mutual consent, absolute female autonomy, radical transparency, and shared ecstasy (“This is the ‘New Kama Sutra’ with equality for the feminine to express her deepest heart’s desires”).

Within this paradigm, sexual union becomes an act of Hieros Gamos (sacred marriage) and Tantric alchemy. Physical intimacy is transformed into spiritual sadhana:

• Lingham/Yoni Yoga: Elevating sexual organs to sacred instruments of worship (“Lingham in her melting Yoni,” “holding his hard, throbbing lingham in her hand”).
• Kundalini Activation: Awakening primal energies to ascend through subtle energetic channels (“sperm activity’s surging higher up her vibrating chakras”).
• Sahasrara Explosion: Achieving ecstatic states that shatter dualistic perception (“Primal energies explode in my Sahashra chakra as Supernovas!”).

Synthesizing Political Denunciation of Patriarchal Violence

Crucially, Jetsun’s sanctification of sexuality is directly connected to a fierce political critique of real-world violence against women. The collection documents structural misogyny, explicitly condemning patriarchal atrocities across both Western and Eastern societies:

• Systemic Sexual Violence:
  • The brutal December 16, 2012 New Delhi bus gang rape and murder of 23-year-old medical student Jyoti Singh Pandey (“beaten with an iron bar her intestines had to be removed… died from cardiac arrest”).
  • The systematic victimization of an estimated 20,000 Bosnian Muslim women used as sex slaves, war fodder, and weapons of war during the 1990s Balkan conflict.
  • Mob violence against women, such as the filmed sexual assault of a teenage girl by a laughing mob of over twelve men in Guwahati, Assam, while onlookers and journalists failed to intervene.
• Cultural & Religious Oppression:
  • British-Pakistani “honour killings,” specifically detailing the case of 17-year-old Shafilea Ahmed, suffocated with a plastic bag by her parents in Warrington for refusing an arranged marriage.
  • Judicial victim-blaming in oppressive legal systems, such as the Qatif girl in Saudi Arabia sentenced to 200 lashes after being gang-raped, under laws prohibiting unchaperoned “mingling.”
  • Public executions and state-sanctioned atrocities by fundamentalist regimes, including Taliban executions of women for alleged adultery.
• Feudal & Patriarchal Control:
  • Systemic female infanticide and forced child marriages in India (“5000 female babies killed each day. 47% of Indian girls married by 17 years old”).
  • Forced cultural isolation, misogynistic traditions, and institutionalized neglect that reduce women to submissive property.

The emotional and physical intensity of sacred sexuality, contrasted against the horror of patriarchal violence, demands a non-linear, surrealist poetic form to convey its ecstatic multidimensionality.

3. Surrealist Mechanics & Linguistic Architecture

To express states of consciousness that transcend conventional reality, Jetsun bypasses standard narrative prose in favor of an erratic, highly charged linguistic architecture. The primary objective of this poetic technique is to bypass the analytical, logical mind (“Mind Programs”) to directly access 4th and 5th-dimensional quantum consciousness.

[Conventional Grammar & Logical Mind] ──(Dadaist Subversion / Stream of Consciousness)──> [Zero-Point Field / Direct Intuitive Frequency]

Deconstructing Stream-of-Consciousness & Dadaist Parallels

In the poem “Exquisite Adornment Phraseology” (p. 22), Jetsun explicitly defines his poetic method:

“Poetry is not prose ~ Rhythmic articulation of feeling, pulsating inside, sub*conscious meaning makes absolute sense.”

This literary stance draws directly from avant-garde poetics. Jetsun integrates Tristan Tzara’s Dadaist cut-up strategies, Antonin Artaud’s Theatre of Cruelty (designed to shatter intellectual defenses through visceral shock), and Beat spontaneous prosody (evoking Allen Ginsberg’s “first thought, best thought” and Jack Kerouac’s unedited flow). By utilizing deliberate paradox, contradiction, subversion of commercial icons, and surreal juxtapositions—such as the “lobster’s metamorphosis into a telephone” in “Wanted: Practical Dreamers” (p. 23)—Jetsun forces the reader out of linear cognitive conditioning.

Evaluating Multi-Dimensional Quantum Mechanics

The text functions as a linguistic collage, mirroring the flux of a quantum zero-point field. Standard syntax is fractured and reassembled to shift the reader’s perceptual frequency.

Deconstructing the “Bypassing of the Mind”

In poems such as “FORMLESS PASTE” (p. 44), language operates as a flexible, vibrational medium. Jetsun asserts that the analytical mind constructs false identities, guilt, and fear through linguistic control mechanisms (“Mind Programs”).

To dismantle these constructs, the text targets the Bhavanga citta—the underlying unconscious mental stream identified in Theravada Buddhist psychology (p. 43). By fracturing visual syntax with tildes ~, hyphens, and slash-capitalizations, Jetsun creates micro-pauses in the reading process. These visual disruptions induce a state of Enchanted Attention (p. 23, 55, 60), quieting the interior monologue and returning the reader to direct, intuitive perception.

This linguistic dismantling of cognitive illusions naturally extends into an unmasking of global socio-political illusions.

4. Socio-Political Critique: Unmasking “Babylon”

Jetsun’s mystical poetics are balanced by an uncompromising socio-political critique directed against what he terms “Babylon”—the interconnected network of central banking cartels, corporate monopolies, state militarism, and media propaganda that keeps humanity locked in debt servitude and fear.

                  ┌── Financial Cartels (Libor Rigging, Debt Creation, Central Banks)
                  │
[BABYLON MATRIX] ─┼── Corporate / Pharma (GSK Scandals, Allopathic Control, Monsanto)
                  │
                  └── State Militarism (NATO Bombings, Arms Trade, Whistleblower Suppression)

Within Jetsun’s non-dual cosmology, this intense political outrage does not contradict spiritual liberation. Exposure of institutional corruption is not dualistic moral judgment; rather, it represents an expression of transmutative Shakti energy. Unmasking the deceit of “Babylon” is a necessary act of spiritual alchemy that burns away the structural illusions (Maya) of the social matrix.

Deconstructing the Financial Cartel & Legal Matrix

In poems like “Paraphrased from ‘Guardian’ 2/7/2012” (p. 19), Jetsun details systemic white-collar financial crime, contrasting state leniency for financial elites with harsh punishments for the marginalized:

• The Libor Scandal & Banking Fraud: Citing 2012 news reporting, Jetsun highlights how Barclays traders and city speculators rigged interest rates and destabilized global markets without facing criminal imprisonment, while working-class citizens in the 2011 London riots received swift six-month prison sentences for stealing a loaf of bread.
• Central Banking & Debt Creation: Jetsun exposes the structural mechanics of debt slavery, pointing to the founding of the Bank of England in 1694 and the operations of the Federal Reserve. He details how central banks create fiat currency out of thin air, leveraging national debt to convert free individuals into economic collateral (“Signed into the Matrix by default once I was born into this Life”).
• Illusion of Contract Law & Democracy: The text argues that statutory law and representative democracy are manufactured illusions designed to preserve plutocratic control, famously invoking Mahatma Gandhi’s assessment of Western democracy in “Private – Pirate – Castles” (p. 22): “It’s a good Idea.”

Synthesizing Corporate & Pharmaceutical Corruption

In “GlaxoSmithKline; ‘bribed doctors'” (p. 21), Jetsun targets institutional corporate malfeasance, focusing on the medical-industrial complex and agribusiness:

• GlaxoSmithKline (GSK) Settlement: The text incorporates news reports from July 2012 detailing GSK’s historic 3 billion settlement (1 billion criminal fine, $2 billion civil penalties) with the US Department of Justice. It exposes how GSK bribed doctors with luxurious exotic trips (sailing, diving, $750 honorariums) and manipulated medical journals to illegally market antidepressants like Paxil/Seroxat to children—suppressing two clinical studies that demonstrated the drug was ineffective and increased suicidal risks.
• Allopathic Medicine & Environmental Destruction: In “Rockefeller’s Chemical Suckers” (p. 11), Jetsun attacks allopathic healthcare as profit-driven and non-curative (“Allopathic not curative only out for our Control”). He simultaneously condemns agribusiness giants like Monsanto, the historical criminalization of natural remedies like hemp, and toxic environmental practices leading to the destruction of bee populations (“No Honey bees for four years then Humans wont exist either”).

Evaluating Anti-Militarism & State Violence

In “Sidewinders” (p. 49) and “Shocks And Awes!” (p. 92), Jetsun’s anti-militarist critique unmasks the financial motives driving state violence. He exposes the hypocrisy of Western governments acting as major global arms dealers while claiming to champion human rights. The text cites historical atrocities, including the illegal carpet-bombing of Laos and the 11-day Christmas 1972 B-52 blitz of Hanoi (120 B-52s dropping carpet bombs, resulting in massive civilian casualties), alongside NATO civilian casualties and modern drone strikes.

To counter state secrecy, Jetsun explicitly honors key political prisoners, whistleblowers, and human rights advocates in “Lest We All Forget” (p. 20) and “Prisoners of Conscience” (p. 26):

• Julian Assange & WikiLeaks: Celebrated for publishing leaked classified documents, exposing secret government criminality, and upholding the democratic right to truth at immense personal cost.
• Whistleblower Lineage: Direct tributes to figures who risked their freedom to expose state deceit, including Chelsea Manning (exposing the “Collateral Murder” video), Mordechai Vanunu (exposing nuclear capabilities), and Daniel Ellsberg (Pentagon Papers).
• Aung San Suu Kyi & Human Rights: Citing her core ethical imperative to highlight the injustice of political detention:

“One Political Prisoner of Conscience is one too many.”

The unmasking and dismantling of Babylon’s corrupt constructs serves as the necessary precondition for stepping into Cosmic Unity.

5. Cosmic Unity & “All in Oneness”

The ultimate teleological destination of Jetsun’s work is the realization of absolute Cosmic Unity (“All in Oneness”). Socio-political rage and erotic intensity are not endpoints; they are transmutational stages designed to burn away dualistic friction and settle into present-moment, zero-point awareness.

[Phase 1: Unmasking Babylon] ──> [Phase 2: Tantric Alchemy] ──> [Phase 3: Zero-Point Realization]
 (Dis-identification from Maya)   (Ego-death in Love Furnace)    (Embodiment of "All in Oneness")

Deconstructing the Mechanics of Dissolving Maya

The text identifies Maya as a collective delusion—a mass hallucination enforced by cultural conditioning, fear, judgment, and guilt (“Culture is a Mass Hallucination and when you step outside the mass hallucination you see it for what it’s worth”).

To dissolve this illusion, Jetsun advocates complete surrender (“My method Is Surrender ~ only Surrender”) and absolute presence (“living in the now”). By surrendering the individual ego-construct (“I”), the subject moves out of dualistic judgments (subject vs. object, good vs. evil) and realizes that the observer and the observed are indivisible.

Synthesizing Quantum Energy Fields & The Zero-Point Field

Jetsun synthesizes ancient esoteric traditions with modern quantum metaphors to describe this state of unified consciousness:

• Esoteric Synthesis: Invoking Archangel Metatron, the Violet Flame of transmutation, St. Germain, and the balanced Shiva-Shakti dynamic.
• Quantum Physics Metaphors: Referencing the Zero-Point Field, the shift from 3D to 4D/5D consciousness, the activation of 12-strand DNA blueprints, and passage through the galactic Photon Belt.

Through this synthesis, electro-magnetic polarities collapse into “Zero Space” (00000000000). In this zero-point state, binary tensions dissolve into pure, unconditioned potential.

Formulating the Ultimate Paradigm

The ultimate thesis of Queen of Space is that individual liberation and collective planetary healing are identical. External masters, rigid dogmas, and hierarchical institutions are rendered obsolete by direct inner realization (“Everyone is their own Satguru”). Radical intuitive freedom anchors unconditional love into the physical realm, transforming the individual into a living fractal of the cosmic whole.

Jetsun’s path to absolute liberation can be summarized in three distinct conceptual stages grounded in the source text:

1. Unmasking & Dis-identification: Consciously recognizing and rejecting the systemic lies of “Babylon” (corrupt banking, pharmaceutical manipulation, war propaganda) alongside religious and cultural conditioning.
2. Tantric & Erotic Alchemy: Engaging in consensual, egalitarian, and ecstatic love that honors the Divine Feminine, using physical intimacy to burn away the false ego inside the “Love Blast Furnace.”
3. Embodiment of Zero-Point Frequency: Anchoring unconditional love, light, and present-moment awareness into daily life—operating as a sovereign, intuitive fractal of “All in Oneness” (Om Shanti).